![]() ![]() She might be seen as a feminist writer whose horror literature could be read as a metaphor for the horrors of the Argentine dictatorship or as an author who does not shy away from denouncing the anomalies of the neoliberal model. First, academics read, analyze, and accept Enriquez through their own political prism. How, then, to read the literature of Mariana Enriquez?įirst, by recognizing the minefield surrounding her literary project. Perhaps, as with all truly original artists, audiences try to understand Mariana Enriquez more through her proximity to the Argentine literary tradition and less through the true originality of her literary project: a project which, with the publication in February of this year of Nuestra parte de noche (Anagrama, 2020), has just begun to be unveiled in its full scale. She is read as a genre writer, and both the writer and her work have received various labels and classifications. Not of all of her writings, of course, but at least of her three most recent books. Horror is the trademark of the literature of Mariana Enriquez. ![]()
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